Janet Evanovich - Notorious Nineteen

Publisher: Bantam

ISBN: 9780755385010

My rating: 3/5

 
After a slow summer of chasing low-level skips for her cousin Vinnie’s bail bonds agency, Stephanie Plum finally lands an assignment that could put her checkbook back in the black. Geoffrey Cubbin, facing trial for embezzling millions from Trenton’s premier assisted-living facility, has mysteriously vanished from the hospital after an emergency appendectomy. Now it’s on Stephanie to track down the con man. Unfortunately, Cubbin has disappeared without a trace, a witness, or his money-hungry wife. Rumors are stirring that he must have had help with the daring escape . . . or that maybe he never made it out of his room alive. Since the hospital staff’s lips seem to be tighter than the security, and it’s hard for Stephanie to blend in to assisted living, Stephanie’s Grandma Mazur goes in undercover. But when a second felon goes missing from the same hospital, Stephanie is forced into working side by side with Trenton’s hottest cop, Joe Morelli, in order to crack the case.
The real problem is, no Cubbin also means no way to pay the rent. Desperate for money—or maybe just desperate—Stephanie accepts a secondary job guarding her secretive and mouthwatering mentor Ranger from a deadly Special Forces adversary. While Stephanie is notorious for finding trouble, she may have found a little more than she bargained for this time around. Then again—a little food poisoning, some threatening notes, and a bridesmaid’s dress with an excess of taffeta never killed anyone . . . or did they? If Stephanie Plum wants to bring in a paycheck, she’ll have to remember: No guts, no glory. (evanovich.com)


My thoughts

I didn't mind this story. It wasn't exciting, and it wasn't the as good as the first Plum novels, but much better than the ones of late.
The plot is the same as the previous novels, Steph needs money, one big bond is Cubbin, who's disappeared, but unlike the few before this one, one doesn't lose the oversight of who she's actually chasing at the time. Lula is ok, but the jokes are the same. Grandma Mazur has a few more lines in it, but they're getting old, as well. Morelli / Ranger - same here as well. So it's basically the plot that keeps the story going.

Better than the previous ones, but no 'halelujahs' in that one either. Lots of 'Babes' - I DID LIKE THAT :-)


.
.